HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks to

which became renowned thanks to the Nō theater adaptation of the same title

color lithography became the language in which his vision found its most complete form

Pierre-Auguste Renoir (Limoges 1841 - Cagnes-sur-Mer 1919) è stato uno dei massimi esponenti dell’Impressionismo e tra i pittori francesi più amati del suo tempo

Magnelli chose linocut and lithography as experimental workshops to translate the order already explored with the collages of the Grasse Group

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks toBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New