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so named for the fruit that appears during that time
Ryūkatei Tanekazu in the spring of 1851 writes:
Texts by Gillo Dorfles and photographic portraits by Ugo Mulas
and still lifes
STEINBERG SAUL, My car, 1977 sculture so named for the fruitPerfect impression, dition avant la lettre, Maeght Publisher, Paris. Perfect condition, with editorial margins. Bibliography A. Maeght, Arte Affiches, 2 volumes, Paris: Maeght, 1964 1771, 1972 1977, n. 340
