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Table from Chinese Moonlight
he combines comedic or mysterious scenes with particular techniques such as embossing
the comic action connects to the second verse: one of the legs of the character on the ground seems to kick a kemari ball upwards
serving instead as a poetic title for a rural scene
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 58, 1835 vasi Table from Chinese MoonlightStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
