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the only human presence
It carefully and meticulously depicts over fifty villages along the way between Kyoto and Yedo (Edo)
expressions of traditional Japanese craftsmanship
The geometric and chromatic decorations on the face refer to a symbolic language related to protection and belonging
DELAUNAY SONIA, Composition à la robe-disque, 1925 sculture the only human presencePerfect impression printed in 1969 by Art Stampe Machet Cosson on Arches paper in a total of 600 copies, published by Jacques Damase ArtCurial. Perfect condition with untrimmed margins. Series inspired by the silhouettes prepared by the artist in his Atelier Simultan in Paris in the twenties. Bibliography H. Serger, Rythmes et couleurs, 1987 Catalog Expo Guggenheim Museum Bilbao, 2015
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